Preface by Marc Wright
Introduction by Marc Wright
Measurement by Susan Walker
Employee Engagement - a Beginner's Guide by Fiona Robertson
Creating an Internal Communication Strategy by Marc Wright
What makes a competent communicator by Liam Fitzpatrick and Sue Dewhurst
How to influence friends and win people (over) by Rob Briggs
Connecting with the Unconnected by Ruth Findlay
Recognising and rewarding employees by Ike Levick
Communication at the Coalface by Lindsay Bogaard
Management Theories X, Y and Z
McClelland's Needs-Based Model of Motivation
Writing skills by Marc Wright
How to commission a Video by Kelly Kass
Better Presentations by Fiona Robertson
Line Manager Communication by Patrick Williams
The Concern Scale by Marc Wright
Adapt or disappear - how intranets and related technologies are re-defining internal communications by Paul Miller
Appreciative Inquiry by Jonathan Priest
Facilitation skills for line managers by Marc Wright
Leadership Communication by Bill Quirke
Managing your CEO by David Keel
Communicating through a Merger or Acquisition by Marc Wright
Make Change Last by Caisa Alpsten and Ulla Mogestad
New CEO - case study in communicating by Lee Smith
Knowing your corporate governance risks and responsibilities by Andrew Riley
Communicating through diversity by Chornay Marshall
CSR and the Communication Professional by Ongrid Selene
Storytelling and Business - The Alien's Have Landed! by Ian Buckingham and Paul Miller
Moving Minds by Simon Wright
Perspective - The Hidden Dimensionby Mike Klein
Cultural Barriers by Marc Wright
Using pictures to convey strategy by Hilary Scarlett
Communication Champions by Fiona Robertson
Better Emails - The W-H-Y Technique by Marc Wright
Creating meaningful dialogue at work by Jacqui Hitt
Advanced Employee Engagement by Kevin Keohane
How to create an award-winning change programme by Nicky Flook
Social Media - an introductionby Euan Semple
First steps in implementing Social Media by Marc Wright
Blogging for the Finance Sector by Yang-May Ooi
Blogs and blogging by Marc Wright
Print or online newsletters by James Pringle
Writing for the web by Fiona Robertson
by Kelly Kass
You’ve just been asked to sex up the welcome session of a large pharmaceutical conference. Your boss is looking for a mood setter; something to excite a roomful of 700 delegates who must then sit through 90 minutes of speaker presentations. The solution ? A two-minute opening video.
This is just one of several ways by which you might come to commission a video - but before you launch yourself head-first into the world of production, stop and ask yourself a few key questions concerning its function and usage.
Answering these simple questions at the outset will help you to focus on what you want a video to achieve – its content, its impact, its message.
However, it is the end-usage of your video that will determine how it should be made – the script, the production process, the aspect ratio, the stock and the equipment used during filming will all result from looking at the project from the following perspectives. The answers you give will help to establish a number of factors critical to the production of your opus magnum; they will also highlight the elements to be included in your production schedule, giving shape and momentum to your commission.
Stage 1 - Why use video at all ?
Video is best at the following :
Stage 2 - What is the message, theme or point to be made ?
Stage 3 – Who will see your video ?
Stage 4 - Examine your viewers’ understanding of the issues concerned
Stage 5 – Creative elements to consider
Basic Rules
Stage 6 - When, where and how will your video be viewed ?
Stage 7 - Will the material have a secondary use ?
Stage 8 - Budget
When you commission a video, remember that video production is a team effort requiring many skills - so you'll have to pay for all of the following :
Depending on the size of your budget, you may decide to use just some of the above and, these days, ever more clients are cutting costs, opting for more simplicity and less glitz. Where once they might have chosen a top notch Graphics Op, companies are now realising that it’s easier and cheaper to create simple text graphics directly in the Avid or on Final Cut. In addition, many co-ordinators now work without the help of a PA; at shoots, some PAs now take on the role of Make-up Artist; and more than a few Producers (like myself) even do their own shooting !
If you are playing with a decent budget, then why not go all out ? Creating a great video with the kind of impact that stays in the minds of your employees is definitely money well spent.
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